The Calling - Trailer

Synopsis
THE CALLING, an immersive musical experience, transports you back to Memphis’ famed Beale Street on March 28, 1968 — the date of Dr. Martin Luther King Jr’s final march. Beginning in a Beale Street blues club in present day, users witness some of the scenes, prompted by historical photos positioned around the club, that lead to the sanitation worker strike in 1968. With the guidance of a mysterious Shoeshine Man you march with Dr. King and the thousands who journeyed to Memphis in support of the 1300 workers, striking for higher wages and better working conditions. Along the way you discover The Calling, an ancestral power to change the world resonating inside every person. This is a story about the audacity of hope, the challenges we overcome, and the choices we can make along the way.
Set Design
Toward the end of the Civil Rights Era, Beale Street was a bustling center of business and entertainment heavily divided along the lines of race and class. This division was felt by none more than the Sanitation Workers who, by March 28, 1968, had submerged Memphis under more than 10,000 tons of trash, as their strike for better working conditions, health benefits, and union recognition entered its 57th day.
Animating businesses such as A. Schwab and the Memphis Meat Company alongside historic landmarks such as W.C. Handy Park and the statue erected in his honor, were important to creating an authentic interactive experience. Additionally, each building is textured with the color palette, stone lined/brick façade, awnings, signage, and grime accurate to the period.


Character Design
In populating the interactive experience, the focus was on animating the protestors and law enforcement officials who were present during what would become Dr. Martin Luther King Jr.’s final march. Made up of local religious leaders, high school teachers, college students, and sanitation workers, protestors are outfitted in their Sunday best to march alongside Dr. King. Dressed in dark blue uniforms, black knit ties, gas masks, and gold badges, our police officers offer an ominous juxtaposition to the steady pace of the protestor’s peaceful demonstration.
Making strides to accurately represent each of these predominantly BIPOC characters with dignity, the characters carry the anatomical detail of animated films such as Pixar’s Soul with the softer artistic gaze of Pearl VR.
Sound Design
The sound design of THE CALLING greatly revolves around the creative use of music and spatially specific sound FX to incrementally reveal, over the course of the experience, The Calling—a powerful composition made up of traditional and contemporary instruments, vocals, and environmental sounds.
Music
The music in THE CALLING replicates the sonic experience of walking down Beale Street as you pass by clubs and street performers, each with their own distinctive sound, combining to create a symphony dripping with history and culture. In VR, the viewer can have that same experience, encountering distinctive sounds at specific locations in the environment fusing together to create a score.
Get It Started
Good Ol' Fashion Love
Creative Team
Alani iLongwe
WRITER / DIRECTOR
Allyson Cikor
3D ENVIRONMENT MODELER / TEXTURE DESIGNER
Artsy Marie
3D ENVIRONMENT MODELER / TEXTURE DESIGNER
Nour Hamade
ANIMATOR
Pamela Winslow Kashani
PRODUCER
Ren Casey
MUSIC / LYRICS / MD / SOUND DESIGNER
Miranda Hubbard
3D CHARACTER MODELER / ANIMATOR
Blair Palmerlee
3D CHARACTER MODELER / TEXTURE DESIGNER
Brian Moreland
EXECUTIVE PRODUCER
Christopher Sepulveda
PRODUCER
Tyler Heaton
LEAD DEVELOPER / SPATIAL AUDIO ENGINEER
Kenny Kong
CHARACTER CONCEPT ARTIST
Amanda Thompson
CHARACTER CONCEPT ARTIST
Tim Kashani
PRODUCER
Ido Gal
ASSOCIATE PRODUCER
Cast
Nicole Cowans
PERFORMER
Sterling Sulieman
PERFORMER
Arthur Romeo
PERFORMER
Jaquita Ta’le
PERFORMER